1 |
|
Opening Credits |
Rudy Ray Moore |
0:12 |
2 |
|
The Human Tornado (Full Versio |
Rudy Ray Moore |
1:50 |
3 |
|
Dolemite's Dedication |
Rudy Ray Moore |
2:31 |
4 |
|
Party At Dolemite's |
Rudy Ray Moore |
5:19 |
5 |
|
Sheriff's Wife |
Rudy Ray Moore |
0:46 |
6 |
|
Dolemite Escapes |
Rudy Ray Moore |
1:50 |
7 |
|
Going To Cali |
Rudy Ray Moore |
0:41 |
8 |
|
Car Thief |
Rudy Ray Moore |
0:43 |
9 |
|
Meeting With the Mob |
Rudy Ray Moore |
0:31 |
10 |
|
Female Hostages |
Rudy Ray Moore |
1:08 |
11 |
|
Looking For Queen Bee |
Rudy Ray Moore |
1:04 |
12 |
|
Live At the Sahara Club |
Rudy Ray Moore |
4:01 |
13 |
|
Hurricane Annie |
Rudy Ray Moore |
0:12 |
14 |
|
Dolemite Meets Annie |
Rudy Ray Moore |
3:39 |
15 |
|
Captive Women |
Rudy Ray Moore |
1:07 |
16 |
|
Miss Wonderful |
Rudy Ray Moore |
3:29 |
17 |
|
Car Chase |
Rudy Ray Moore |
0:50 |
18 |
|
Queen Bee's House |
Rudy Ray Moore |
3:32 |
19 |
|
Informant |
Rudy Ray Moore |
0:46 |
20 |
|
Dolemite and Mrs. Cavaletti |
Rudy Ray Moore |
4:10 |
21 |
|
Here Comes the Tornado |
Rudy Ray Moore |
3:17 |
22 |
|
Sneaking In |
Rudy Ray Moore |
0:11 |
23 |
|
Fight Theme |
Rudy Ray Moore |
0:56 |
24 |
|
Dolemite's Revenge |
Rudy Ray Moore |
2:10 |
25 |
|
Dolemite's Revenge (Alternate |
Rudy Ray Moore |
0:27 |
26 |
|
Fight Drums |
Rudy Ray Moore |
0:25 |
27 |
|
Moog Interlude |
Rudy Ray Moore |
1:08 |
28 |
|
Funky Tornado, Pt. 1 |
Rudy Ray Moore |
1:18 |
29 |
|
Female Hostages (Alternate Tak |
Rudy Ray Moore |
1:06 |
30 |
|
Funky Tornado, Pt. 2 |
Rudy Ray Moore |
0:54 |
31 |
|
Informant (Alternate Take) |
Rudy Ray Moore |
0:11 |
32 |
|
Kung Fu Hero |
Rudy Ray Moore |
0:32 |
33 |
|
Looking For the Bee, Pt. 1 |
Rudy Ray Moore |
2:15 |
34 |
|
Looking For the Bee, Pt. 2 |
Rudy Ray Moore |
2:18 |
35 |
|
Sneaking In (Alternate Version |
Rudy Ray Moore |
0:14 |
36 |
|
Sound Effects, Pt. 1 |
Rudy Ray Moore |
0:25 |
37 |
|
Sound Effects, Pt. 2 |
Rudy Ray Moore |
0:14 |
38 |
|
The Human Tornado (45 Version) |
Rudy Ray Moore |
2:25 |
39 |
|
Miss Wonderful (45 Version) |
Rudy Ray Moore |
3:08 |